Casey has over a decade of experience creating bold, expressive visual storytelling for live performance. He holds an undergraduate and master’s degree in Theatre Design from the VCA where he was awarded the Trina Parker Scholarship and now lectures. His process combines tactile, hand-crafted methods with contemporary technologies like CAD and 3D printing, and he embraces an iterative, hands-on approach to support a script’s dramaturgy.

Design projects include: sets and costumes for Tom Ballard’s The Queer Kingdom (Gasworks), costumes for Rodgers and Hammerstein’s Carousel in concert (Enda Markey Presents) at the Princess Theatre, and Promiscuous/Cities (APDG nomination), Lemon Tree on Dreg Street, and The Mentor (Theatre Works), The World According To Dinosaurs (Frenzy Theatre – VCE Playlist regional tour), The Lighthouse (BK Opera/Brunswick Mechanics Institute), If We Got Some More Cocaine I Could Show You How I Love You (Arts House Meat Market), and award-winning productions of The Leenane Trilogy (fortyfivedownstairs/Kin Collective) and Hart (She Said/Melbourne Fringe).

He has also assisted designers including Kate Davis on Looking For Alibrandi (Malthouse/Belvoir) and YES (The Rabble), and Richard Roberts, Christina Smith, Zoë Atkinson, and Adam Gardnir on a variety of mainstage Australian productions, as well as being an APDGMentor participant in 2023-2024 under the mentorship of Simone Romaniuk. Casey is excited to be working with Make A Scene, designing sets and costumes for Bromance.